Monday, January 07, 2008

Still the one


It's hard to believe that 25 years have passed since the release of the science fiction cult masterpiece BLADE RUNNER. The recently released "Final Cut" has undergone some surprising tweaks as well as a major digital re-mastering which has restored the luster back into this timeless classic.

What's even more compelling is the accompanying documentary called Dangerous Days: The Making of Blade Runner in which the difficult and controversial process of creating the film is re-hashed. Running at 3 hours, it is worth the watch even if one is not a Blade Runner fan. It validates many of the struggles, creative, financial, personal that are still very much a part of modern film making.

The grueling film shoot that took it's toll on the cast and production crew is legendary. But 25 years later, it only confirms Ridley Scott as a true master film maker and visionary. (especially when he openly admits to the film's shortcomings) He was ruthlessly uncompromising in bringing his ideas to fruition, and it's not until much later that he is given credit for creating an extraordinary film.

The film's impact is immeasurable. Before Blade Runner, science fiction was dominated by bright, fantastic worlds with laser swords and space cruisers all wrapped in a fight for good and evil. While the latter is true for Blade Runner, it broke convention by looking inward and showed a world that was dingy and chromatically desaturated, cynical and broken.

Unfortunately Blade Runner's story suffers the lack of a tangible narrative. It is a rare science fiction art film. One whose parts can be enjoyed more that it's whole. As demonstrated by all the works of art it has inspired whether printed or filmed, Blade Runner has become the state of the art in science fiction design, lighting, and cinematography. Much like how Fritz Lang's Metropolis and Kubrick's 2001: A Space Odyssey did years before it.

And much like those films, there is no doubt we will continue to see Blade Runner's influence for the next 25 years and beyond.













(All images copyright 1982, 2007 Warner Brothers Pictures / The Blade Runner Partnership)

10 comments:

Der Blaue Reiter said...

I've been waiting for this special edition for the longest time. Just bought it from Amazon, thanks for the heads up ! :]

Halcyon Realms

Rob Bodnar said...

I agree, and music by Vangelis.

Chris Battle said...

I really hope you caught it on the BIG screen at The Landmark in digital.... amazing. (and Dangerous Days is one of the best retrospective "Making Of" supplements ever)

The question is: Did you geek out just a little (2 disc) or geek out HUGE (5 disc briefcase)???

samacleod said...

Nice screen shots.

Louie del Carmen said...

Yonghow,

You're definitely in for a treat. The picture quality is amazing.

Rod,

That soundtrack never gets old. It's in a class of it's own really...

CB-

Didn't get a chance to do the big screen re-watch. (darn it!) Last time I caught it was during the former "Director's Cut" screening at the Nuart in the mid 90's...

I was going to do the big geek out but I went to 3 stores and couldn't find it.. I took it as a sign and settled for th small geek 2 DVD set..

All i'm interested in is the Docu anyway...

Steve!

I love pulling frames. Every shot in Blade Runner is iconic so if I kept going I would have ended up with hundreds of shots!

Anonymous said...

Blade Runner is the classic. I have not seen the latest version (Netflix it but very long waiting time). Personally, I think that it is year 0 in its influence on
Japanese Anime. Compare JA before and after Blade Runner and you can see the profound influence. JA directors swear by it. I let a 20 something who is into Anime and never seen the movie borrow the Director's Cut. He simply blown away by it. I think that Hollywood has been chasing the Blade but could never master it razor sharp edge (no pun intended.)

cK

Louie del Carmen said...

Charles,

I agree with you. BR's influence is far reaching. The Japanese have taken it further especially with their design work. And in a weird cyclical fashion, they have inspire North American films like THE MATRIX.

Co-incidentally, Syd Mead's designs and especially the one's for BR are still brought into production design bullpens when they are in great need of an artistic boost.

Great hearing from you and happy new year!

Scotland Barnes said...

Ah Blade Runner. Another film that I geek over, and yet at the same time I just get irritated at the story (maybe it's just me). Still you can't pass up on the design, look, and grim of the film.

And you settled for JUST 2 disc? As a friend once told me, "if you're going to Geek, Geek HUGE." Course I still haven't gotten it either....damn.

Hey is there a decent art of book for BR? Filled with Syd Mead's stuff?

Louie del Carmen said...

Hey Scot!

I don't there is one definitive BR book but as far as Syd Mead's work on the movie, there are back issues of CINEFEX that have it as well as the out of print book KRONOTEKO. (Which I have and paid an arm and leg for)

The BR features in CINEFEX where later compiled into a special book called BLADE RUNNER: THE INSIDE STORY by Don Shay. It's available at the Cinefex site.

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